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Formula for Writing

“If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it” - letter from John Steinbeck

More: Writing Inspiration

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Creativity is the residue of wasted time.
Jonah Lehrer, author of  the excellent Imagine: How Creativity Works, quotes Albert Einstein at the 99% Conference. (via explore-blog)
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Personal Tragedy

“Forget your personal tragedy. We are all bitched from the start and you especially have to hurt like hell before you can write seriously. But when you get the damned hurt use it—don’t cheat with it. Be as faithful to it as a scientist—but don’t think anything is of any importance because it happens to you or anyone belonging to you” - letter from Ernest Hemingway to F. Scott Fitzgerald

More: Writing Inspiration

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Excerpts & Fragments #4

There is something innately creative about early morning skies. The day’s first light pulling the city out of the dark, spreading and expanding through the ether, shading purplish-orange up to solid pillow layered clouds. Reflective mists swirl a gray dirty dawn, filtering and following eerily shaped silhouettes of a complicated skyline. Outstretching steel and glass scratch the tops of the heavens. Monstrous concrete parking garages stack across the horizon. A deep tired sigh as the city wakes up. A quiet sitting waiting for an afternoon empty of art.

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Life Plans

“Life is what happens while you’re busy making other plans” - John Lennon

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Sadder and Perceptive

They rushed down the streets together digging everything in the early way they had which has later become so much sadder and perceptive.. but then they danced down the street like dingledodies and I shambled after as usual as I’ve been doing all my life after people who interest me - Jack Kerouac from On the Road (The Original Scroll)

This passage from “On the Road” is the right before one of the most often quoted passages of the book, the one that goes something like…the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to breath, mad to eat, the ones who never yawn or say commonplace things, etc.

That famous passage leaped off the page when I first read the book. I liked it because it was raw and inspiring, and it seemed cool to read to a girl I was trying to impress. But as I was flipping through the book this weekend, I stopped at the sentence right before the famous sentence, which says something to the effect that looking back, everything Kerouac is about to explain in the book has no real meaning. I read the passage to mean that there is no pot of gold at the end of this mad rainbow. Instead, life is about the self-destructing/self-creating journey that is worth embarking on, even when later you look back on everything you have done and it seems much sadder and perceptive. For some reason, that gave me comfort today.

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Excerpts & Fragments #3

I had one of the strangest dreams of my life. I was in a deep disengaged sleep, having a foggy dream that is totally unrecoverable in the waking brain so I can’t remember anything except the dream had something to do with my mom. She was sick or hurt or dying, and I ran up to her and held her in my arms. I started crying and my dream became so violent that it woke me up. Everything was strange in the darkness – the room was pitch dark so I couldn’t tell if my eyes were open or closed, if I was awake or still dreaming. I had a brief panic attack. There was nothing I could do. I finally found strength in my legs. Standing in the middle of my room, I began whimpering, trying to hug my arms around myself, having absolutely no idea where I was, shaking uncontrollably, with cheeks wet from real tears. I wanted to find my mom right away and talk to her to see if she was okay, but then I realized where I was and how far away I was from her, and there was nothing I could do. I tried to fall asleep, but ended up laying in bed until my alarm went off. I don’t remember the last time I cried.

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“Aubade” by Philip Larkin

I am reading the collected poems of Philip Larkin and fell in love with this poem:

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.

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A writer like me must have an utter confidence, an utter faith in his star. It’s an almost mystical feeling, a feeling of nothing-can-happen-to-me, nothing-can-harm-me, nothing-can-touch-me.
Thomas Wolfe has it. Ernest Hemingway has it. I once had it. But through a series of blows, many of them my own fault, something happened to that sense of immunity and I lost my grip.
—F. Scott Fitzgerald (via droppingtheball)
Link C.S. Lewis on Writing

I read this, printed it out, and tacked up on my wall to help with the editing process this weekend.

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Excerpts & Fragments #2

I have changed since moving to New York. Writing is less of a mission for me then it was before, more of a moody habit now, a way of thinking thoughts out of my crowded head. Most of the time I don’t even know what I want to write. I sit in my tiny studio apartment alone and try to image something I vaguely felt year ago. I see the moment in my mind’s eye, but then it passes before my fingers are able to strike the keys. Or when they do hit the keys, I end up deleting whatever crap was written. I can still describe events and actions, but for some reason I just don’t feel like telling tall tales of former life adventures anymore. All I seem interested in doing is scribbling down words and descriptions about darkness and pain, so even stories that begin as fun and adventurous quickly turn sad and moody. Maybe that is the person I am now on the inside – sad and moody. I’m not depressed or sickened about anything in particular, just tired, just empty, just…. I don’t know… I can’t even concentrate enough to think of my emotion. I guess I’m just filled with doubting questions about what the hell I am doing in this city.

Link I Like Words

When copywriter Robert Pirosh landed in Hollywood in 1934, eager to become a screenwriter, he wrote and sent the following letter to all the directors, producers, and studio executives he could think of. The approach worked, and after securing three interviews he took a job as a junior writer with MGM.

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IF YOU CAN PACK LIGHTLY, YOU CAN LIVE LIGHTLY | A brief monologue by Diane Von Furstenberg rendered by Luis Aguirre. 

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Excerpts & Fragments #1

I like to read during the entire subway trip, with pen in hand to underline, write notes in the margins and put asterisks beside passages I like. But often times, I end up spending as much time scribbling and doodling in my notebook, as ideas pop into my head about things I’m writing on at the time. No one reads what I put down in my notebook, all those somethings that remind me of something else, somewhere else, someone else, but there is something intimate about scribbling in a notebook, about matching words to the thoughts flowing through my mind, about shaping an expression of the outer world as seen and felt in my inner space.

Sometimes in the mornings though, I prefer to sit back and observe the passing city’s scenery as I trudge along closer and closer to work. And at other times – I don’t know – I just sort of zone out. Concentric circles of my mind circling and circling, dizzy and lost. Then, if my dazed eyes catch a soft shadowy image just right as we pass by another train or as we enter into a dark tunnel, I can catch a dim light reflection off the tinted windows of me staring back at me. If I’m wearing a dark sweatshirt and dark pants, I blend completely into the dark reflected background and see only the light glare of my ashen face bouncing down the tracks. A pale ghost in the glass window. As tired eyes slowly fade out, the glassy reflection of me also fades until I’m completely washed away in my own eyes, looking through the reflected window, looking through myself and staring into the background wall. Then the train jerks to an unexpected stop, shaking me out of my inner-mind. The doors slam open, the doors slam shut. The train starts up and the passing world begins to slide by again.